Paramount thought they could make a Chris Pine-starring Jack Ryan film before ‘Star Trek 2′. They thought wrong.
If you ever wondered what David Blaine would be like if he used his powers of illusionating for evil, instead of dicking around in water tanks, then you’re gonna love ‘Now You See Me.’
The writing duo responsible for writing pretty much everything have joined Gavin Hood’s adaptation of Ender’s Game.
Ethan Hawke is in talks to slum it on Fox with the procedural drama Exit Strategy. The high octane successor to “24″ will star Hawke as the leader of an elite team that helps retrieve CIA agents from missions gone awry.
Director Steven Spielberg is trying his hand at television (again) with an adaptation of the popular graphic novel series, "Locke & Key." Alex Kurtzman, Roberto Orci, and Josh Friedman are all on board for the project which is still searching for a network.
First released in 2008, Locke & Key revolves around three kids who end up watching over a secret, spooky New England mansion filled with mystical doors that transport them to different worlds and give them special powers (like turning into a ghost).
The source material was created by Joe Hill, the son of author Stephen King. Fans of "Quantum Leap" will remember that it was actually Dr. Sam Beckett who was responsible for inspiring most of King's major works. Considering that Hill was probably heavily influenced by his father, I think it's safe to add "Locke & Key" to Dr. Beckett's long list of time traveling accomplishments, right along side saving Jackie Kennedy and inventing the Heimlich Maneuver.
Godspeed, Dr. Beckett, wherever you are. (Vulture via Movie Line)
Screen Junkies caught up with writer-producers Alex Kurtzman and Roberto Orci last night on the Saturn Awards red carpet. The duo who created "Fringe" and co-wrote Star Trek for frequent collaborator J.J. Abrams let us in on a new project they're producing. New You See Me, scripted by Ed Ricourt and Boaz Yakin, is about a heist crew of illusionists who rob banks and are actively inviting the FBI to try and figure out how they get away with it. Regarding audience expecations for magician movies, Kurtzman told us:Because I think the trick about a magician movie is that the movie itself has to be a magic act, which is an incredibly difficult thing to do. It requires cleverness and an intelligence. The magic act has to pay off in spades so the setup has to be brilliant and the payoff has to be brilliant.If we're talking Heat with magicians, I couldn't be more all about it. I'm sure they're going for a broader tone rather than a three-hour crime saga, but magician-robbers is definitely an enticing hook. I'm a huge fan of Christopher Nolan's The Prestige, which finds its conflict in dueling illusionists, so imagine adding semi-automatic wands to the equation. I just naturally assume any magician-robber worth his salt would pack a semi-automatic or sawed-off double-barrel wand.Source: Fred Topel
Jon Favreau tweeted this little morsel from the set of Cowboys & Aliens to get your appetite so whet your superiors are wondering why the mop handle in your grip is covered in drool. Though can we really be sure this is official just because the director of the movie released it?My overbearing paronia insists that the pic could be a clever marketing campaign by Disney for Toy Story 3. If Woody was flesh and blood THIS is how he would look, always hauling a backlight around with him so we could never be certain of his identity. Oh no, you're not pulling the wool over my eyes, Lasseter. First the subliminal Nazi propaganda shorts before the main attraction and now this? If you weren't so damn awesome at what you do I'd have a good mind to shake an angry fist at your visage. That and my angry fist is buried deep in a tub of animal crackers at the moment. I know there's an elephant in here somewhere…