REVIEW: ‘INGLOURIOUS BASTERDS’
Tuesday, August 11 by

Quentin Tarantino's Inglourious Basterds.  You have to think the movie would make Transformers: Revenge of the Fallen-amounts of money if every moviegoer were Jewish and an action movie aficionado.  While we at Screen Junkies are decidedly action movie lovers, we are also mostly of the gentile persuasion.  So, while we already have our Basterds tickets for opening weekend, we fully appreciate how gratifying the film might be all the more gratifying for someone whose family had to actually endure the atrocities of the Nazis. The idea of hearing a Jewish perspective on a movie that centers on Jews brutally killing a bunch of people who brutally killed Jews always had an interesting ring to it.  Luckily for us, our friends at Heeb Magazine read our minds, and passed writer Oliver Noble's review of the flick on to us for a gander.  As you can see from the beginning of Noble's piece, Tarantino seems to have nailed his key demo:

REVIEW: (500) DAYS OF SUMMER
Monday, August 3 by

It’s been several days now, and I can’t quite get this movie out of my head.  (500) DAYS OF SUMMER is one of those rare films that actually speaks to…

ebert-reviews-a-porno
‘ROGER EBERT’ REVIEWS A PORNO
Friday, July 31 by

By Roger Ebert*There is an ugly scene in Squirt In My Gape 3 that I want to tell you about. A young woman played by Bobbi Star has just had her gaping anus filled with both male and female ejaculate. We see the girl, pretty yet exhausted, contorting her body in such away as to avoid spilling the fluids. The cameraman moves in to give the audience the requisite close-up of the genetic ooze she is holding ever so precariously.?? We expect the scene to end, but it does not. The audience is left waiting for what seems like an eternity. Then, without warning, a bubble begins to form.

ANDY ROONEY REVIEWS ‘BRUNO’
Tuesday, July 7 by

By Andy Rooney, of CBS's "60 Minutes"My primary care physician has recommended that I find a way to put more exercise into my daily routine. Normally I avoid all forms of physical exertion, but seeing as I’m no spring chicken anymore I decided it might be in my best interest to take him up on his suggestion.  I wouldn’t want to die and miss out on this newfangled digital television.  (Sometimes it’s hard to convey sarcasm through writing.  So let me just tell you last night I almost electrocuted myself walking into the HDTV my son bought me for Christmas.  It thought it was a doorway to the beach and I had my metal detector in hand.  Turns out I forgot to turn off the Travel Channel.)

‘TRANSFORMERS 2′ REVIEW
Wednesday, June 24 by

By Spencer Vickers I am 80% convinced that Michael Bay did not give a sweet sh*t about the first hour and twenty minutes of Transformers: Revenge of the Fallen.  What occupies that part of the highly anticipated summer flick is about as dumbed down as you would expect from a film that is brought to you by a toy company (I would like to point out that my previous comment was by no means meant as an attack on Hasbro, for without them my childhood would have been severely depressing).  At points the film even borders on offensive (and not the good kind of offensive). 

‘LAND OF THE LOST’ REVIEW
Friday, June 5 by

  If you're reading this during Land of the Lost's opening weekend and happened to have come here from our homepage, you may have noticed the GIANT LAND OF THE LOST AD enveloping it.  So, for those of you who think our advertisers dictate our reviews, you probably shouldn't read on.  (And those of you who thought our "Best/Worst Movie Time Machines" piece was a thinly-veiled ad for Land of the Lost, you should just stop reading the site entirely.)  Because I genuinely liked Land of the Lost. 

‘THE BROTHERS BLOOM’ REVIEW
Friday, May 15 by

I loved Rian Johnson's first film, Brick* – the neo-hard boiled detective story set amongst high school social circles.  It was the one with a bespectacled Joseph Gordon-Levitt, the anachronistic dialogue and the fantastic score by Johnson's brother.  I saw it three times in the theaters.  Even bought it on DVD.  But as I sat down for my screening of Rian Johnson's followup, The Brothers Bloom, a wave of doubt washed over me.  No way he can do it again, I thought.  Besides, the trailers made it seem like a hodgepodge of styles culled from Johnson's contemporaries.  It was Hudson Hawk through the off-kilter lens of Wes Anderson.  Not necessarily a bad thing (I'm one of the few with fond memories of Hawk), but it wasn't promising to be a revelation like Brick…